s8n
9b06bb48c6
After INC1 fixed the Abspielen + first-fold backdrop, owner reported black band hiding artwork in More from Season 1 / below-fold sections. Two more patches required: INC2 — pin .backdropContainer + .backgroundContainer position:fixed; height 100vh so backdrop persists during scroll. Added vertical fade ::after. INC3 — extend transparent-scope to ALL detail-page sub-sections (.detailVerticalSection, .scrollSlider, .padded-bottom-page, .itemsContainer etc) so section wrappers don't paint over the pinned backdrop section by section. bin/headless-test.py now takes top + scrolled viewport screenshots. full_page=True hides position:fixed regressions, dual-screenshot exposes them. Use both to bisect. bin/apply-26-incident-fixes.sh updated with INC2+INC3. Open: AV1+Opus playback (Mike Nolan Show) still tracked for 10.11.8 migration. .detailLogo regression possible — test in actual browser. |
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| snapshots/2026-05-08-pre-elegantfin | ||
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| ADMIN-GUIDE.md | ||
| docker-compose.yml | ||
| README.md | ||
| ROADMAP.md | ||
My own premium streaming service. No compromise.
ARRFLIX is my personal streaming service. One library, hand-curated, no filler — every show and film is the best version I could put together. Where the source allows, masters are 4K. Where it doesn't, they're AI-upscaled until they look better than the disc ever did. The reference example: my Rick and Morty Season 1 is a 4K HDR upscale that beats the original broadcast. That's the standard for everything that lands here.
It's not a clone of a public streamer. It's the version I wished existed: the quality bar of a boutique release group, the polish of a flagship app, and a library I actually want to watch.
What you get
- Best-quality everything. 4K where the source supports it, AI-upscaled masters where it doesn't. No 480p filler, no junk encodes.
- Curated, not crawled. Every title is hand-imported, hand-cleaned, and hand-checked before it goes live. Junk files, sample clips, and stray artwork never make it in.
- Polished metadata. Posters, backdrops, episode stills, cast, and descriptions are all locked to the canonical source — no wrong-show matches, no broken artwork, no foreign-language drift.
- English-first UI, every account. No surprise German Play buttons, no browser-locale roulette. Every user is pinned to a consistent experience.
- Custom theming. ARRFLIX wordmark, ARRFLIX-red accent (
#E50914), loading splash, and a Netflix-grade dark UI. Jellyfin's stock chrome is hidden — the brand is the surface. - Per-user home layouts. Resume, Next Up, and Latest Media tuned the way I actually use the app. No "My Media" tile clutter.
- Subtitles done right. Sidecar files named to spec, OpenSubtitles integration, ffmpeg-extracted tracks where embedded.
Live at
Endpoint is LAN / tailnet only. There is no public exposure — if you're not on the network, you're not getting in. By design.
How it works (technical)
ARRFLIX runs on self-hosted infrastructure on nullstone. The repo you're looking at is also the deploy source-of-truth: the compose file, library structure, theming overrides, and operational playbooks all live here. The streaming engine itself is unbranded plumbing — invisible behind the ARRFLIX surface.
Operators / future-me, the technical reference is split across:
ADMIN-GUIDE.md— single-page day-to-day ops: adding users, importing media, fixing scrapes, theme breakage, emergency rollback.ROADMAP.md— what's done, what's open, what's deferred.docs/— research-grade reference docs (artwork, metadata, subtitles, theming, file-structure rules, per-library themes, cleanup, filename normalization, force-English, branding leaks, splash, audits).
Repo lives at https://git.s8n.ru/s8n/ARRFLIX (mirror: https://flexhub.s8n.ru/s8n/ARRFLIX).
ARRFLIX — a one-person streaming service that punches above its weight.